Asylum
Dr. Martin (Robert Powell) arrives to take up a post at a secluded asylum "for the incurably insane." He has a preliminary interview with the authoritarian warden Lionel Rutherford (Patrick Magee), wh…
Asylum
Dr. Martin (Robert Powell) arrives to take up a post at a secluded asylum "for the incurably insane." He has a preliminary interview with the authoritarian warden Lionel Rutherford (Patrick Magee), who says that London-trained doctors like Martin do not understand the realities of mental illness. Rutherford does not believe that his patients can be cured or improved, and contents himself with keeping them isolated from society. Rutherford was recently attacked by Dr B. Starr, formerly head of the asylum and now one of its inmates. Starr had a mental breakdown and, after the violent episode, assumed a new personality. Rutherford challenges Martin to interview the patients on the premises and prove his acumen by detecting which one is Starr. Rutherford is using a wheelchair while he recovers from the attack, and cannot accompany Martin upstairs. Instead an orderly, Max Reynolds (Geoffrey Bayldon), admits Martin through the security door and takes him on a tour of the inmates' solitary confinement cells. Rutherford has ordered Max not to give Martin any clues that would help identify Starr. The first patient, Bonnie (Barbara Parkins), was the mistress of Walter (Richard Todd), an opportunist who married his controlling wife Ruth for her money. Ruth grew up in an unspecified part of Africa and maintains a respect for its magical traditions, whose power allegedly extends "beyond life and death." Unable to get a divorce, Walter murders Ruth with Bonnie's connivance. He dismembers the corpse and stores the pieces in a chest freezer until they can be disposed of properly. Carelessly he tosses Ruth's magic bracelet into the freezer as well, bringing her back to life. Bonnie arrives and finds that Walter has been strangled by Ruth's disembodied arm. The body parts attack her as well, and she injures her face fending them off. Subsequently Ruth's remains vanish, and the authorities decide that Bonnie murdered Walter. The second patient, Bruno (Barry Morse), is found miming the act of stitching fabric, and says he was a tailor before coming to the asylum. In his account, poverty and impending eviction force him to accept the unusual request of a Mr Smith (Peter Cushing), who wants a suit made in a highly ritualistic manner from a mysterious, scintillating fabric that must be sewn only after midnight. Smith says it will be a present for his son. Bruno delivers the finished suit in person to Mr Smith, and finds his house bare of furniture except for a coffin containing the son's corpse. Smith explains that the suit was ordered to the specifications of an ancient magical text, and that the dead man will return to life when dressed in it. Bruno wants to back out of the deal, especially when he learns that Smith bankrupted himself to buy the magic book and cannot pay for the suit. Smith tries to take it at gunpoint, but is shot and killed by Bruno in the ensuing struggle. Bruno brings home the book and the suit and tells his wife Anna (Ann Firbank) to burn them, but she instead uses the suit to adorn Otto, their store mannequin. The mannequin comes to life and strangles Bruno; he survives the attack, but his explanation of what happened, along with his belief that Otto is still at large somewhere in the city, lead him to be declared insane. The third patient, Barbara (Charlotte Rampling), demands a lawyer, telling Martin that she was convicted for two murders committed by her friend Lucy (Britt Ekland), whom only she can see. In a flashback, Barbara is shown receiving home care from a nurse, Miss Higgins (Megs Jenkins), courtesy of her brother George (James Villiers). Lucy pays secret visits, claiming that Barbara is not mentally ill, and that George is claiming otherwise to gain custody of her property. Under Lucy's influence, Barbara ceases taking her medication and agrees to run away from home. Lucy kills both George and Higgins to facilitate the escape. Barbara says that Martin should talk to Lucy as well, and indicates her own reflection in a mirror. The mirror is seen momentarily from Barbara's viewpoint, with her face changing to Lucy's and back again. The fourth and last patient is Dr Byron (Herbert Lom), who declares his mastery of neurology and other branches of the discipline, and appears to hold Rutherford in contempt. Initially elated by the chance to speak with a new colleague, Byron tells Martin that he has become interested in a new direction of research, involving the assembly of small dolls. According to Byron, the dolls contain functional human organs in miniature, and will come to life if he projects his vital spirit into them through sheer will and concentration. Seeing that Martin does not believe him, Byron angrily sends him away. Martin returns downstairs to deliver his judgment to Rutherford. Left alone, Byron successfully projects his consciousness into a mannequin whose face he modeled as a self-portrait. The doll slips out of the room as Max delivers Byron's food, and makes its way downstairs in a dumbwaiter. Meanwhile Martin is criticizing Rutherford for keeping the patients isolated and denying them therapeutic care. As Rutherford declares that Byron should be deprived of his toys, and perhaps lobotomized, the doll climbs onto his desk and stabs him to death with a lancet. Horrified, Martin crushes the doll, which breaks open to reveal living viscera inside; Dr Byron dies in his room on the spot. Martin goes to Max's room to telephone for help, but finds a corpse concealed there. The man who has been passing as Max Reynolds is Dr Starr, whose murder of the real orderly went unnoticed because Rutherford could not go upstairs. Starr throttles Martin with a stethoscope. In the last scene, another new doctor is shown knocking on the institute's doors and being received by "Max." It appears that another cycle of murder and mayhem is about to begin.
Asylum
Horror
Film Details
Dr. Martin (Robert Powell) arrives to take up a post at a secluded asylum "for the incurably insane." He has a preliminary interview with the authoritarian warden Lionel Rutherford (Patrick Magee), who says that London-trained doctors like Martin do not understand the realities of mental illness. Rutherford does not believe that his patients can be cured or improved, and contents himself with keeping them isolated from society.
Rutherford was recently attacked by Dr B. Starr, formerly head of the asylum and now one of its inmates. Starr had a mental breakdown and, after the violent episode, assumed a new personality.
Rutherford challenges Martin to interview the patients on the premises and prove his acumen by detecting which one is Starr. Rutherford is using a wheelchair while he recovers from the attack, and cannot accompany Martin upstairs. Instead an orderly, Max Reynolds (Geoffrey Bayldon), admits Martin through the security door and takes him on a tour of the inmates' solitary confinement cells.
Rutherford has ordered Max not to give Martin any clues that would help identify Starr. The first patient, Bonnie (Barbara Parkins), was the mistress of Walter (Richard Todd), an opportunist who married his controlling wife Ruth for her money. Ruth grew up in an unspecified part of Africa and maintains a respect for its magical traditions, whose power allegedly extends "beyond life and death." Unable to get a divorce, Walter murders Ruth with Bonnie's connivance.
He dismembers the corpse and stores the pieces in a chest freezer until they can be disposed of properly. Carelessly he tosses Ruth's magic bracelet into the freezer as well, bringing her back to life. Bonnie arrives and finds that Walter has been strangled by Ruth's disembodied arm.
The body parts attack her as well, and she injures her face fending them off. Subsequently Ruth's remains vanish, and the authorities decide that Bonnie murdered Walter. The second patient, Bruno (Barry Morse), is found miming the act of stitching fabric, and says he was a tailor before coming to the asylum.
In his account, poverty and impending eviction force him to accept the unusual request of a Mr Smith (Peter Cushing), who wants a suit made in a highly ritualistic manner from a mysterious, scintillating fabric that must be sewn only after midnight. Smith says it will be a present for his son. Bruno delivers the finished suit in person to Mr Smith, and finds his house bare of furniture except for a coffin containing the son's corpse.
Smith explains that the suit was ordered to the specifications of an ancient magical text, and that the dead man will return to life when dressed in it. Bruno wants to back out of the deal, especially when he learns that Smith bankrupted himself to buy the magic book and cannot pay for the suit. Smith tries to take it at gunpoint, but is shot and killed by Bruno in the ensuing struggle.
Bruno brings home the book and the suit and tells his wife Anna (Ann Firbank) to burn them, but she instead uses the suit to adorn Otto, their store mannequin. The mannequin comes to life and strangles Bruno; he survives the attack, but his explanation of what happened, along with his belief that Otto is still at large somewhere in the city, lead him to be declared insane. The third patient, Barbara (Charlotte Rampling), demands a lawyer, telling Martin that she was convicted for two murders committed by her friend Lucy (Britt Ekland), whom only she can see.
In a flashback, Barbara is shown receiving home care from a nurse, Miss Higgins (Megs Jenkins), courtesy of her brother George (James Villiers). Lucy pays secret visits, claiming that Barbara is not mentally ill, and that George is claiming otherwise to gain custody of her property. Under Lucy's influence, Barbara ceases taking her medication and agrees to run away from home.
Lucy kills both George and Higgins to facilitate the escape. Barbara says that Martin should talk to Lucy as well, and indicates her own reflection in a mirror. The mirror is seen momentarily from Barbara's viewpoint, with her face changing to Lucy's and back again.
The fourth and last patient is Dr Byron (Herbert Lom), who declares his mastery of neurology and other branches of the discipline, and appears to hold Rutherford in contempt. Initially elated by the chance to speak with a new colleague, Byron tells Martin that he has become interested in a new direction of research, involving the assembly of small dolls. According to Byron, the dolls contain functional human organs in miniature, and will come to life if he projects his vital spirit into them through sheer will and concentration.
Seeing that Martin does not believe him, Byron angrily sends him away. Martin returns downstairs to deliver his judgment to Rutherford. Left alone, Byron successfully projects his consciousness into a mannequin whose face he modeled as a self-portrait.
The doll slips out of the room as Max delivers Byron's food, and makes its way downstairs in a dumbwaiter. Meanwhile Martin is criticizing Rutherford for keeping the patients isolated and denying them therapeutic care. As Rutherford declares that Byron should be deprived of his toys, and perhaps lobotomized, the doll climbs onto his desk and stabs him to death with a lancet.
Horrified, Martin crushes the doll, which breaks open to reveal living viscera inside; Dr Byron dies in his room on the spot. Martin goes to Max's room to telephone for help, but finds a corpse concealed there. The man who has been passing as Max Reynolds is Dr Starr, whose murder of the real orderly went unnoticed because Rutherford could not go upstairs.
Starr throttles Martin with a stethoscope. In the last scene, another new doctor is shown knocking on the institute's doors and being received by "Max." It appears that another cycle of murder and mayhem is about to begin..