Kill Game
The film opens on a background of nuclear plant chimneys with this apostrophe: 'Are you sowing tomorrow if the world comes to an end? An urgent question followed by a remark by Eisenstein stressing th…
Kill Game
The film opens on a background of nuclear plant chimneys with this apostrophe: 'Are you sowing tomorrow if the world comes to an end? An urgent question followed by a remark by Eisenstein stressing that conflict is the very principle of montage. From the outset, this is the matrix of the film: the world, its future in a nuclear space. Judith and Masa, become fictional alter ego of the two filmmakers, sometimes flanked by their duplicates, to embark us in a cascade of entangled questions. Her, French, him, the Japanese, couple and filmmakers, lead us in a to-and-from between Paris, Fukushima and Hiroshima, where the conflict of the title unfolds in a thousand pages.
Kill Game
Crime,Horror,Mystery
Film Details
The film opens on a background of nuclear plant chimneys with this apostrophe: 'Are you sowing tomorrow if the world comes to an end? An urgent question followed by a remark by Eisenstein stressing that conflict is the very principle of montage. From the outset, this is the matrix of the film: the world, its future in a nuclear space. Judith and Masa, become fictional alter ego of the two filmmakers, sometimes flanked by their duplicates, to embark us in a cascade of entangled questions.
Her, French, him, the Japanese, couple and filmmakers, lead us in a to-and-from between Paris, Fukushima and Hiroshima, where the conflict of the title unfolds in a thousand pages..