Salmonid. 25 aastat hiljem
Francisca awaits the trial of her ex-partner, accused of domestic violence against her. Claudia, Francisca's daughter, witnessed and documented the consequences of the psychological aggression inflict…
Salmonid. 25 aastat hiljem
Francisca awaits the trial of her ex-partner, accused of domestic violence against her. Claudia, Francisca's daughter, witnessed and documented the consequences of the psychological aggression inflicted on Francisca after the end of their relationship. Francisca tries to regenerate and rediscover her identity as a woman. This court case led them to question themselves about the role of women in a patriarchal society, often placed "in the pink corner". The separation of Francisca and her ex-partner was the trigger for the latter to start a cycle of persecution, harassment and threats. Following this wound, the film begins at the moment when the sentence of "The Man" is awaited. Claudia, her daughter and director, witnessed and documented the consequences of this behavior on her mother, entitled "In the pink corner". Claudia, in a movement of reflection on the past, through this event and a biographical narrative of Francisca, questions the place of women in a patriarchal society. Francisca tries to regenerate and rediscover her identity, not as a victim but as a woman.
Salmonid. 25 aastat hiljem
Comedy
Film Details
Francisca awaits the trial of her ex-partner, accused of domestic violence against her. Claudia, Francisca's daughter, witnessed and documented the consequences of the psychological aggression inflicted on Francisca after the end of their relationship. Francisca tries to regenerate and rediscover her identity as a woman.
This court case led them to question themselves about the role of women in a patriarchal society, often placed "in the pink corner". The separation of Francisca and her ex-partner was the trigger for the latter to start a cycle of persecution, harassment and threats. Following this wound, the film begins at the moment when the sentence of "The Man" is awaited.
Claudia, her daughter and director, witnessed and documented the consequences of this behavior on her mother, entitled "In the pink corner". Claudia, in a movement of reflection on the past, through this event and a biographical narrative of Francisca, questions the place of women in a patriarchal society. Francisca tries to regenerate and rediscover her identity, not as a victim but as a woman..