The Bench
Soviet Embassy clerk Igor Gouzenko defected to Canada in 1945 with secret documents, exposing Russian spy networks. In 1945, Igor Gouzenko, a code clerk in the Soviet Embassy in Ottawa, bolted for the…
The Bench
Soviet Embassy clerk Igor Gouzenko defected to Canada in 1945 with secret documents, exposing Russian spy networks. In 1945, Igor Gouzenko, a code clerk in the Soviet Embassy in Ottawa, bolted for the freedom of the West and took many secret documents with him that helped lay waste to a good portion of Russia's Western Hemisphere spy system. His headline-making defection later served as the basis for 20th Century-Fox's "The Iron Curtain" in 1947. This film, shot in a semi-documentary style, proports to tell how the Soviets "might" attempt to kill Gouzenko, then living in carefully disguised circumstances somewhere in Canada. Gouzenko, his face covered in a Ku Klux Klan-type hood---no symbolism intended---appears in the epilogue, while Westbrook Van Voorhis, in his usual voice-of-doom "March of Time" style, narrates the opening sequence retelling the background and setting up the film's premise. —Les Adams <longhorn1939@suddenlink.net>
The Bench
Horror
Film Details
Soviet Embassy clerk Igor Gouzenko defected to Canada in 1945 with secret documents, exposing Russian spy networks. In 1945, Igor Gouzenko, a code clerk in the Soviet Embassy in Ottawa, bolted for the freedom of the West and took many secret documents with him that helped lay waste to a good portion of Russia's Western Hemisphere spy system. His headline-making defection later served as the basis for 20th Century-Fox's "The Iron Curtain" in 1947.
This film, shot in a semi-documentary style, proports to tell how the Soviets "might" attempt to kill Gouzenko, then living in carefully disguised circumstances somewhere in Canada. Gouzenko, his face covered in a Ku Klux Klan-type hood---no symbolism intended---appears in the epilogue, while Westbrook Van Voorhis, in his usual voice-of-doom "March of Time" style, narrates the opening sequence retelling the background and setting up the film's premise. —Les Adams <longhorn1939@suddenlink.net>.