The Circle
An unhappy woman considers leaving her dull husband for another man. Elizabeth Cheney has a wealthy husband, social prominence and everything she could want in life . . . except Ted Lutton, the man sh…
The Circle
An unhappy woman considers leaving her dull husband for another man. Elizabeth Cheney has a wealthy husband, social prominence and everything she could want in life . . . except Ted Lutton, the man she loves. Now, she must decide whether to give up everything and everyone to follow her heart in The Circle. At a time when divorce means a lifetime of banishment from family, friends and society--foregoing a life of ease for a life of hardship--Lady Elizabeth (Eleanor Boardman) wants to leave her husband, Arnold (Creighton Hale), for their friend Ted Lutton (Malcolm McGregor). To help convince herself to stay with her husband, she invites Arnold's mother, Lady Catherine (Eugenie Besserer), who left Arnold's father for Lord Porteous (George Fawcett). Everything that Elizabeth sees confirms her belief that she should forgo love and stay with her husband . . . until she witnesses the true love still shared by this couple living in social exile. In the 1890s, young Lady Catherine (Joan Crawford) decides to leave her husband, Lord Clive Cheney (Derek Glynne), and her son Arnold in favor of her lover, "Hughie" Porteous (Frank Braidwood). Thirty years later, young Elizabeth Cheney (Eleanor Boardman) is facing the same choice between her husband, the now grown Arnold (Creighton Hale), and her lover, Teddy Luton (Malcolm McGregor). Before going off with Teddy, however, Elizabeth wants to know how the love match between Catherine and Hughie has worked out, so she has invited them to the house while Arnold's now-aged father, Lord Clive (Alec B. Francis), is away on a hunting trip. Scenes of Catherine and Hughie driving toward the house, with only the backs of their heads visible, are inter-cut. The prim and fussy Arnold is nervous about the impending visit, but when Lord Clive returns to the house unexpectedly just before Catherine (Eugenie Besserer) and Hughie (George Fawcett) arrive, the older man does not seem at all upset by their arrival. The former young lovers have not aged well. Catherine is flighty, trying to maintain a façade of youth, and Hugh is fat and cranky. Although the two bicker and complain during their visit, Elizabeth sees that they still have a strong bond of affection after 30 years together, and she vows to seek happiness with Teddy instead of the dull safety of marriage with Arnold. Arnold (as well as Clive and the house butler) is aware that Elizabeth may elope with Teddy and seeks his father's advice. Clive cautions his son against acting too impetuously. Encountering Elizabeth, Arnold fails to offer a passionate response to her possible departure from his life. When Elizabeth asks Teddy how he would react if another man tried to take her he away, he says that he would blacken one of her eyes and close the other, which convinces her of Teddy's passion as Arnold watches, unseen by the two. Clive talks with Hughie, believing that he has helped to save Arnold's marriage, unaware that Elizabeth and Teddy have driven away in a chauffeured car. The two try to kiss on the bumpy drive without being watched by the driver, who is wearing a cap and driver's goggles. When the car seems to break down, the chauffeur reveals himself to be Arnold. He tells Teddy that he will blacken one of his eyes and close the other, and punches his rival. He then forces Elizabeth back in the car and returns to the house. After dinner, Arnold tells Elizabeth that it is time for bed. Outside the bedroom, he loosens his robe and strides in, closing the door. Meanwhile, Clive and Hughie, unaware of all of these developments, simply think that the foolishness of youth has been averted and break down in laughter with each other. This ending is a distinct change from W. Somerset Maugham's play, which ends with Teddy and Elizabeth happily running off together.
The Circle
Comedy,Drama,Romance
Film Details
An unhappy woman considers leaving her dull husband for another man. Elizabeth Cheney has a wealthy husband, social prominence and everything she could want in life . .
. except Ted Lutton, the man she loves. Now, she must decide whether to give up everything and everyone to follow her heart in The Circle.
At a time when divorce means a lifetime of banishment from family, friends and society--foregoing a life of ease for a life of hardship--Lady Elizabeth (Eleanor Boardman) wants to leave her husband, Arnold (Creighton Hale), for their friend Ted Lutton (Malcolm McGregor). To help convince herself to stay with her husband, she invites Arnold's mother, Lady Catherine (Eugenie Besserer), who left Arnold's father for Lord Porteous (George Fawcett). Everything that Elizabeth sees confirms her belief that she should forgo love and stay with her husband .
. . until she witnesses the true love still shared by this couple living in social exile.
In the 1890s, young Lady Catherine (Joan Crawford) decides to leave her husband, Lord Clive Cheney (Derek Glynne), and her son Arnold in favor of her lover, "Hughie" Porteous (Frank Braidwood). Thirty years later, young Elizabeth Cheney (Eleanor Boardman) is facing the same choice between her husband, the now grown Arnold (Creighton Hale), and her lover, Teddy Luton (Malcolm McGregor). Before going off with Teddy, however, Elizabeth wants to know how the love match between Catherine and Hughie has worked out, so she has invited them to the house while Arnold's now-aged father, Lord Clive (Alec B.
Francis), is away on a hunting trip. Scenes of Catherine and Hughie driving toward the house, with only the backs of their heads visible, are inter-cut. The prim and fussy Arnold is nervous about the impending visit, but when Lord Clive returns to the house unexpectedly just before Catherine (Eugenie Besserer) and Hughie (George Fawcett) arrive, the older man does not seem at all upset by their arrival.
The former young lovers have not aged well. Catherine is flighty, trying to maintain a façade of youth, and Hugh is fat and cranky. Although the two bicker and complain during their visit, Elizabeth sees that they still have a strong bond of affection after 30 years together, and she vows to seek happiness with Teddy instead of the dull safety of marriage with Arnold.
Arnold (as well as Clive and the house butler) is aware that Elizabeth may elope with Teddy and seeks his father's advice. Clive cautions his son against acting too impetuously. Encountering Elizabeth, Arnold fails to offer a passionate response to her possible departure from his life.
When Elizabeth asks Teddy how he would react if another man tried to take her he away, he says that he would blacken one of her eyes and close the other, which convinces her of Teddy's passion as Arnold watches, unseen by the two. Clive talks with Hughie, believing that he has helped to save Arnold's marriage, unaware that Elizabeth and Teddy have driven away in a chauffeured car. The two try to kiss on the bumpy drive without being watched by the driver, who is wearing a cap and driver's goggles.
When the car seems to break down, the chauffeur reveals himself to be Arnold. He tells Teddy that he will blacken one of his eyes and close the other, and punches his rival. He then forces Elizabeth back in the car and returns to the house.
After dinner, Arnold tells Elizabeth that it is time for bed. Outside the bedroom, he loosens his robe and strides in, closing the door. Meanwhile, Clive and Hughie, unaware of all of these developments, simply think that the foolishness of youth has been averted and break down in laughter with each other.
This ending is a distinct change from W. Somerset Maugham's play, which ends with Teddy and Elizabeth happily running off together..