The Darker Side of Black
An exploration of the homophobia expressed by reggae and rap artists againts gays and lesbians. Inludes interviews with rappers Shabba Ranks and Buju Banton, who cite religious reasons for their parti…
The Darker Side of Black
An exploration of the homophobia expressed by reggae and rap artists againts gays and lesbians. Inludes interviews with rappers Shabba Ranks and Buju Banton, who cite religious reasons for their particular brand of homophobia. A provocative investigation of the complex issues raised by the genre, such as ritualised machismo, misogyny, homophobia, and gun glorification. Noted experts on black history, such as Cornel West of Princeton University, and the late Michael Manley, former Prime Minister of Jamaica, analyse the phenomenon and give insights into its development and meaning. Shot in dance halls, hip hop clubs, and using interviews and music videos, the film takes us to London, Jamaica and the USA, and brings together diverse musicians as Buju Banton, Shabba Ranks, and Britain's Monie Love. It is a long overdue examination of the nihilistic side of contemporary black music. —Isaac Julien
The Darker Side of Black
Documentary,Music
Film Details
An exploration of the homophobia expressed by reggae and rap artists againts gays and lesbians. Inludes interviews with rappers Shabba Ranks and Buju Banton, who cite religious reasons for their particular brand of homophobia. A provocative investigation of the complex issues raised by the genre, such as ritualised machismo, misogyny, homophobia, and gun glorification.
Noted experts on black history, such as Cornel West of Princeton University, and the late Michael Manley, former Prime Minister of Jamaica, analyse the phenomenon and give insights into its development and meaning. Shot in dance halls, hip hop clubs, and using interviews and music videos, the film takes us to London, Jamaica and the USA, and brings together diverse musicians as Buju Banton, Shabba Ranks, and Britain's Monie Love. It is a long overdue examination of the nihilistic side of contemporary black music.
—Isaac Julien.