The Yearning of Maria D.
Maria D., a withdrawn loner, travels to a Cycladic island. There she's captivated by the locals' morbid, religious ways. Determined to end her isolation, she takes action inspired by the archaic cultu…
The Yearning of Maria D.
Maria D., a withdrawn loner, travels to a Cycladic island. There she's captivated by the locals' morbid, religious ways. Determined to end her isolation, she takes action inspired by the archaic culture's impressions. On a trip to the Aegean, Maria D., who lives withdrawn and is shy of people, is confronted with the impressions of an archaic culture. Fascinated by the morbidity and religiosity of the people living on a Cycladic island, she decides to put an end to her loneliness. —MD A German tourist, Maria, who has grown to only need the company of herself, walks among ruins, silently watching the other blank-faced, serene tourists. Her wanderings take her through churches and finally catacombs, where she's struck by the photo of an unknown dead man. It's a love so strong, she hires a dodgy character to steal her lover's remains, claiming a familial connection. The dead man has no name. It's just a face. But that's all Maria needs along with her imagination. She takes her time getting to know him, mostly because she's body-conscious and shy, especially when the hollow eyes in his skull stare at her with unwavering attention. So she writes odes and little love notes and gets a feel of his bones gently at her own pace. She doesn't consider herself a necrophiliac, rather simply a girl who fell in love with someone who happened to be dead. In a way, it's about control. He offers nothing back in opposition to her imagination and thoughts and so he can be anything she wants him to be. And she can do with him anything she wouldn't feel bold enough to do with a living man. —Effedupmovies.
The Yearning of Maria D.
Drama,Horror
Film Details
Maria D., a withdrawn loner, travels to a Cycladic island. There she's captivated by the locals' morbid, religious ways. Determined to end her isolation, she takes action inspired by the archaic culture's impressions.
On a trip to the Aegean, Maria D., who lives withdrawn and is shy of people, is confronted with the impressions of an archaic culture. Fascinated by the morbidity and religiosity of the people living on a Cycladic island, she decides to put an end to her loneliness. —MD A German tourist, Maria, who has grown to only need the company of herself, walks among ruins, silently watching the other blank-faced, serene tourists.
Her wanderings take her through churches and finally catacombs, where she's struck by the photo of an unknown dead man. It's a love so strong, she hires a dodgy character to steal her lover's remains, claiming a familial connection. The dead man has no name.
It's just a face. But that's all Maria needs along with her imagination. She takes her time getting to know him, mostly because she's body-conscious and shy, especially when the hollow eyes in his skull stare at her with unwavering attention.
So she writes odes and little love notes and gets a feel of his bones gently at her own pace. She doesn't consider herself a necrophiliac, rather simply a girl who fell in love with someone who happened to be dead. In a way, it's about control.
He offers nothing back in opposition to her imagination and thoughts and so he can be anything she wants him to be. And she can do with him anything she wouldn't feel bold enough to do with a living man. —Effedupmovies..